Like myself, most new shows of the 2012-2013 TV season have finished their freshman year. I decided that in order to save time, I will write brief assessments of all of the new shows that I watched. These include the ones that I highlighted back in September (with the exception of Elementary, whose pilot didn't hook me enough to keep watching) as well as a few that I picked up along the way. To avoid information overload (and also to give my fingers a break), I will do this in two posts, each one briefly summarizing and assessing three shows. I won't include spoilers since my hope is that you might decide to watch one or more of these shows if you haven't seen them.
For my first post I will discuss NBC's Revolution, The CW's Arrow, and ABC's Last Resort.
Revolution
Brief Summary: Fifteen years after a mysterious blackout rid the world of electricity, Charlie Matheson (Tracy Spiridakos) must rescue her brother Danny (Graham Rogers) from the militia of the Monroe Republic, one of the republics that arose to replace the United States government. Along the way, Charlie learns about her family's involvement in the blackout.
Assessment: Revolution began as one of my favorite new shows, but in the middle of the first half of the season it lost some steam. Not much happened as Charlie, Miles (Billy Burke), and the rest of their gang made their way to Philadelphia to rescue Danny. The show picked up again for the midseason finale (you can read my review for that episode here), but then the second half was the same as the first. It started out strong, was a little slow in the middle, then picked up toward the end. For the most part, I really enjoyed the last few episodes, especially the season finale. The end of the finale made me very excited for the next season. It seems like they're going in a completely different direction for the second season, which I think is a smart move.
Overall Rating for the Season: 3.5/5
Arrow
Summary: (Based on the DC Comics character Green Arrow) After being stranded on an island for five years, wealthy playboy Oliver Queen (Stephen Amell) returns to Starling City to right the wrongs of his father as a masked vigilante. Flashbacks reveal what happened to Oliver during his time on the island.
Assessment: As a fan of DC Comics, I was very excited for Arrow, and it did not disappoint. In fact, it quickly became my favorite new fall show. The acting and writing were both very good, and the action sequences were excellent. What made the show even better for me was the inclusion of several minor DC characters and subtle references to the comics. The island flashbacks started out somewhat weak, but they became much better once Slade Wilson (Manu Bennett) was introduced. I would recommend this show not only to fans of DC Comics but also to people who like exciting, action-packed TV shows. Because the show is on The CW, there is of course a love triangle subplot, but that is overshadowed by the rest of the show.
Rating: 5/5
Last Resort
Summary: After U.S. Navy Captain Marcus Chaplin (Andre Braugher) refuses an order to fire a nuclear missile from his submarine, he is attacked by another US sub. He and his crew, including his second-in-command Sam Kendal (Scott Speedman), take refuge on a small island.
Assessment: Power struggles and government conspiracies abound in this short-lived ABC drama. Last Resort was canceled about halfway through its 13-episode run, but fortunately that gave the writers time to craft an ending that gave some closure to those who stuck with the show. I was one of those people. I don't think it was good enough to deserve a second season, but I enjoyed the show while it lasted. Braugher and Speedman were both great in the lead roles, but there were too many minor characters to keep track of. The conspiracy plot was intriguing but also somewhat confusing. Overall, I liked the show, but I'm not sad to see it go.
Rating: 2.5/5
That's it for part one. Stay tuned for part two, where I will discuss Go On, The Following, and Nashville.
The visual cortex is the part of the brain that processes visual information. The Televisual Cortex is a part of the Internet that processes all things TV.
Showing posts with label Revolution. Show all posts
Showing posts with label Revolution. Show all posts
Tuesday, June 4, 2013
Tuesday, November 27, 2012
'Revolution' Midseason Finale Review: A New Beginning
I haven't been writing about Revolution since the pilot because I watch each episode a day or two after it airs. Also, I haven't had very strong feelings about the show so far. It's definitely not the best show on TV, but I do enjoy it very much. That said, it still has a few kinks to work out, especially in the dialogue writing, but it has proven itself to be a success since it has gotten very strong ratings and decent critic reviews.
I did watch last night's episode live, and it was the show's midseason finale. This means we will not see the second half of the season until March. Therefore, I decided to write a review of the episode. I don't usually do this, but I am going to give a SPOILER ALERT because I want to address the episode's ending. So please, if you haven't seen the episode and would not like it to be spoiled, do not read this review until after you have watched it.
Knowing that this was the midseason finale, I was expecting an intense showdown between Miles (Billy Burke) and Monroe (David Lyons). The show has been building up to this moment ever since we found out that Miles used to be a commanding general in the Monroe militia, and the scene did not disappoint. After Miles takes out Monroe's soldiers, the two point guns at each other and have an intense face-off. In a scene of great acting by both Burke and Lyons, Monroe puts down his weapon and reminds Miles how they are like brothers and invites Miles to rejoin the militia. Miles puts down his weapon, but tells Monroe, "You're no the same person. ... We aren't brothers." He also says he's sorry he didn't kill Monroe the first time. The two then have sword fight which was great while it lasted. More soldiers come and Monroe tells them to kill Miles, but Miles is able to jump out of a window just in time. At first I was disappointed that nothing happened in the fight, but upon looking back, I realized that this was only the midseason finale, and we still have a whole half of a season for a resolution in the Miles-Monroe conflict. With that in mind, I think this scene was handled very well, and it provided a look into how each of them feels about their relationship.
Another great scene was when Charlie (Tracy Spiradakos) is reunited with her mother, Rachel (Elizabeth Mitchell), after being thrown into the same cell. There wasn't much dialogue between the two, but through her facial expressions and body language, Spiradakos was able to portray the confusion, anger, and joy that Charlie must have been experiencing all at once. Spiradakos, in my opinion, has proven herself to be the right choice for this show. She still has a little farther to go to become a great actress, but she is doing a fine job so far.
As I mentioned in my introduction to this review, the writing needs a little work. Overall, I think the writers have been doing a great job in how they are progressing the plot, but some of the dialogue has been cheesy. For example, in this episode, when Rachel is being taunted by one of Monroe's henchmen, he says something along the lines of, "That daughter of yours is quite the little peach, and I could eat peaches all day." My friends and I immediately started laughing at how ridiculous that line was, so hopefully they can work on some of the dialogue. But like I said, the plot development has been good, and I still like the flashbacks. This episode didn't have many flashbacks, but the few that it did have provided insight into the relationship between Miles and Monroe. I especially liked the flashbacks to their childhood that were placed among their scenes together in the present. Given that there are fifteen years of untold story, I hope the writers can continue to make good use of the flashbacks to tell that story.
The last thing I want to address is the ending and where the show goes from here. I am very glad that the showrunners decided to have the gang rescue Danny and Rachel. This half of the season was all about them trying to rescue Danny, and while it was a fine first half, I wouldn't have wanted to see that plot in the second half. It seems that the rest of the season will focus on Monroe using the amplifier that Rachel built to power-up his army and "flex his muscles," showing everyone who has the power. What I would like to see more of is the other republics. They have been mentioned a few times so far, but I think a whole story arc involving the interactions between republics would be very interesting. Also, I am interested in how Charlie and Danny will interact with their mother, whom they believed was dead. We have already seen Rachel kill two people, so I wonder how that will affect her relationship with her children. In any case, I look forward to the second half of the season, as there is potential for a new beginning for both the show and its characters.
As always, feel free to leave your thoughts on the episode, the show as a whole, or where you would like to see it go from here.
I did watch last night's episode live, and it was the show's midseason finale. This means we will not see the second half of the season until March. Therefore, I decided to write a review of the episode. I don't usually do this, but I am going to give a SPOILER ALERT because I want to address the episode's ending. So please, if you haven't seen the episode and would not like it to be spoiled, do not read this review until after you have watched it.
Knowing that this was the midseason finale, I was expecting an intense showdown between Miles (Billy Burke) and Monroe (David Lyons). The show has been building up to this moment ever since we found out that Miles used to be a commanding general in the Monroe militia, and the scene did not disappoint. After Miles takes out Monroe's soldiers, the two point guns at each other and have an intense face-off. In a scene of great acting by both Burke and Lyons, Monroe puts down his weapon and reminds Miles how they are like brothers and invites Miles to rejoin the militia. Miles puts down his weapon, but tells Monroe, "You're no the same person. ... We aren't brothers." He also says he's sorry he didn't kill Monroe the first time. The two then have sword fight which was great while it lasted. More soldiers come and Monroe tells them to kill Miles, but Miles is able to jump out of a window just in time. At first I was disappointed that nothing happened in the fight, but upon looking back, I realized that this was only the midseason finale, and we still have a whole half of a season for a resolution in the Miles-Monroe conflict. With that in mind, I think this scene was handled very well, and it provided a look into how each of them feels about their relationship.
Another great scene was when Charlie (Tracy Spiradakos) is reunited with her mother, Rachel (Elizabeth Mitchell), after being thrown into the same cell. There wasn't much dialogue between the two, but through her facial expressions and body language, Spiradakos was able to portray the confusion, anger, and joy that Charlie must have been experiencing all at once. Spiradakos, in my opinion, has proven herself to be the right choice for this show. She still has a little farther to go to become a great actress, but she is doing a fine job so far.
As I mentioned in my introduction to this review, the writing needs a little work. Overall, I think the writers have been doing a great job in how they are progressing the plot, but some of the dialogue has been cheesy. For example, in this episode, when Rachel is being taunted by one of Monroe's henchmen, he says something along the lines of, "That daughter of yours is quite the little peach, and I could eat peaches all day." My friends and I immediately started laughing at how ridiculous that line was, so hopefully they can work on some of the dialogue. But like I said, the plot development has been good, and I still like the flashbacks. This episode didn't have many flashbacks, but the few that it did have provided insight into the relationship between Miles and Monroe. I especially liked the flashbacks to their childhood that were placed among their scenes together in the present. Given that there are fifteen years of untold story, I hope the writers can continue to make good use of the flashbacks to tell that story.
The last thing I want to address is the ending and where the show goes from here. I am very glad that the showrunners decided to have the gang rescue Danny and Rachel. This half of the season was all about them trying to rescue Danny, and while it was a fine first half, I wouldn't have wanted to see that plot in the second half. It seems that the rest of the season will focus on Monroe using the amplifier that Rachel built to power-up his army and "flex his muscles," showing everyone who has the power. What I would like to see more of is the other republics. They have been mentioned a few times so far, but I think a whole story arc involving the interactions between republics would be very interesting. Also, I am interested in how Charlie and Danny will interact with their mother, whom they believed was dead. We have already seen Rachel kill two people, so I wonder how that will affect her relationship with her children. In any case, I look forward to the second half of the season, as there is potential for a new beginning for both the show and its characters.
As always, feel free to leave your thoughts on the episode, the show as a whole, or where you would like to see it go from here.
Tuesday, September 11, 2012
'Revolution' Pilot Review: Power Struggles
On Thursday I went to an advanced screening of the pilot of the the NBC show Revolution. I'll try not to spoil the episode for those who haven't seen it, but if you want to watch it before reading this, you can watch it at nbc.com/revolution.
Overall I was very impressed by the pilot. I had high hopes that it would be good but was unsure whether it would deliver. By now you probably know what the show is about, but I'll give a brief summary anyway. Fifteen years after a mysterious blackout, humans must survive without cars, batteries, and anything electronic. Firearms have been outlawed, which explains the sword fighting and crossbows seen in the promos, and militias have risen under the mysterious General Monroe.
The show is centered on Charlie Matheson (Tracy Spiridakos), daughter of Ben Matheson (Tim Guinee) who seems to know something about the blackout. Charlie's brother Danny (Graham Rogers) is taken by militia leader Tom Neville (Giancarlo Esposito) after Ben is killed. With his dying breath, Ben tells Charlie to go to Chicago to find his brother Miles (Billy Burke), who will know how to find Danny. Charlie takes on this mission, accompanied by Ben's girlfriend Maggie (Anna Lise Phillips) and his friend Aaron (Zak Orth).
Almost all of the actors gave great performances. Both Esposito, coming off of an outstanding season of Breaking Bad, and Burke were great in their respective scenes. I look forward to seeing more of them, and hopefully they will share some scenes soon because I would love to see them face off. I was especially surprised by Spiridakos's performance. I was not expecting her to convince me as the young heroine, but she did. Hopefully she can keep it up in the episodes to come. The last performance I want to mention is that of Orth, who provides the comic relief in the show. He had some good one-liners in this episode, so I hope the writers can use him well.
I have to give credit to Jon Favreau (director of the first two Iron Man movies), who directed this episode. He did a fantastic job, but I worry that he may have set the bar too high for future directors. We'll see how they do, but I hope that Favreau comes back at some point, provided that the show continues.
Which leads to my final point: the future of the show. As most hardcore TV fans know, NBC has been struggling with getting dramas off the ground, especially high-concept ones like this. The Event was a massive failure, and Awake, though a great show in my opinion, failed to find an audience. I believe that what this show needs is great character development, something that The Event lacked. The pilot did a decent job at giving us insight into what is driving the characters, but there is still room for improvement. If the writers can make us care about the characters, while simultaneously provide us with an engrossing mystery, I believe the show will succeed.
Revolution is off to a very fine start. I look forward to the rest of the season and hopefully future seasons. There is so much story to tell and so many characters to flesh out, so the people behind the show have a lot of work ahead of them. Here's hoping they can create a show that can reel in viewers and last more than one season. If you're interested, tune in Mondays at 10/9c starting on September 17.
Overall I was very impressed by the pilot. I had high hopes that it would be good but was unsure whether it would deliver. By now you probably know what the show is about, but I'll give a brief summary anyway. Fifteen years after a mysterious blackout, humans must survive without cars, batteries, and anything electronic. Firearms have been outlawed, which explains the sword fighting and crossbows seen in the promos, and militias have risen under the mysterious General Monroe.
The show is centered on Charlie Matheson (Tracy Spiridakos), daughter of Ben Matheson (Tim Guinee) who seems to know something about the blackout. Charlie's brother Danny (Graham Rogers) is taken by militia leader Tom Neville (Giancarlo Esposito) after Ben is killed. With his dying breath, Ben tells Charlie to go to Chicago to find his brother Miles (Billy Burke), who will know how to find Danny. Charlie takes on this mission, accompanied by Ben's girlfriend Maggie (Anna Lise Phillips) and his friend Aaron (Zak Orth).
Almost all of the actors gave great performances. Both Esposito, coming off of an outstanding season of Breaking Bad, and Burke were great in their respective scenes. I look forward to seeing more of them, and hopefully they will share some scenes soon because I would love to see them face off. I was especially surprised by Spiridakos's performance. I was not expecting her to convince me as the young heroine, but she did. Hopefully she can keep it up in the episodes to come. The last performance I want to mention is that of Orth, who provides the comic relief in the show. He had some good one-liners in this episode, so I hope the writers can use him well.
I have to give credit to Jon Favreau (director of the first two Iron Man movies), who directed this episode. He did a fantastic job, but I worry that he may have set the bar too high for future directors. We'll see how they do, but I hope that Favreau comes back at some point, provided that the show continues.
Which leads to my final point: the future of the show. As most hardcore TV fans know, NBC has been struggling with getting dramas off the ground, especially high-concept ones like this. The Event was a massive failure, and Awake, though a great show in my opinion, failed to find an audience. I believe that what this show needs is great character development, something that The Event lacked. The pilot did a decent job at giving us insight into what is driving the characters, but there is still room for improvement. If the writers can make us care about the characters, while simultaneously provide us with an engrossing mystery, I believe the show will succeed.
Revolution is off to a very fine start. I look forward to the rest of the season and hopefully future seasons. There is so much story to tell and so many characters to flesh out, so the people behind the show have a lot of work ahead of them. Here's hoping they can create a show that can reel in viewers and last more than one season. If you're interested, tune in Mondays at 10/9c starting on September 17.
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Tuesday, September 4, 2012
My Most Anticipated New Fall Shows
It's been quite some time since my last post, but, summer TV being what it is, there hasn't been much to say. Plus, I've been busy getting ready for and moving into college, so I haven't had much time. So today I figured I would do another list, this time of the new fall shows that I'm most excited for.
1. Revolution (NBC)
If you watched the Olympics, you probably saw the promos for this show many times. Taking place 15 years after a mysterious event rid the world of all electricity, this show promises to be the most complex of the new season. Early buzz has been that the pilot was very good, which makes me even more excited. However, NBC has a poor track record when it comes to high-concept shows like this one (see: Awake, The Event, My Own Worst Enemy), so we'll see how far this one goes. I am going to the advance screening of the pilot here in Boston on Thursday, so expect a full review this weekend. In the meantime, I believe you can watch the pilot on YouTube.
Premiere: September 17 at 10:00 (all times are Eastern time)
2. Arrow (The CW)
As I briefly mentioned in my first post , I am a big DC Comics fan, so when I heard that a show about the Green Arrow was in development, I was quite excited. This pilot has also been praised by both critics and fans who saw it at Comic-Con. The show is most likely an attempt by The CW to get back the male viewers that they lost when Smallville ended, which is a fine plan, as long as the show is good. The show-runners have promised that other DC characters will show up in the series, so I will definitely be tuning in to this one.
Premiere: October 10 at 8:00
3. Last Resort (ABC)
I don't know much about this show except that it's about a submarine crew that refuses to follow an order to attack a country and are then considered enemies of the United States. I have no clue where the show will go from there, but, based on the concept and the generally good marks given by critics, it could become the network's most popular drama since Lost, provided that subsequent episodes don't drop in quality.
Premiere: September 27 at 8:00
4. Elementary (CBS)
This is the show about which I am the most skeptical. Centered around Sherlock Holmes, who moves to New York to solve crimes, it is sure to be a hit with the normal viewers of CBS procedurals. However, for people like me who are fans of Sherlock, it will inevitably be compared to the excellent BBC show. The oddest thing about the show is the casting of Lucy Liu as Dr. (Joan) Watson. It's an interesting twist, but I'm not sure how it will play out to the Holmes fans. I will definitely check it out, but the pilot is really going to have to hook me in order for me to continue watching.
Premiere: September 27 at 10:00
1. Revolution (NBC)
If you watched the Olympics, you probably saw the promos for this show many times. Taking place 15 years after a mysterious event rid the world of all electricity, this show promises to be the most complex of the new season. Early buzz has been that the pilot was very good, which makes me even more excited. However, NBC has a poor track record when it comes to high-concept shows like this one (see: Awake, The Event, My Own Worst Enemy), so we'll see how far this one goes. I am going to the advance screening of the pilot here in Boston on Thursday, so expect a full review this weekend. In the meantime, I believe you can watch the pilot on YouTube.
Premiere: September 17 at 10:00 (all times are Eastern time)
2. Arrow (The CW)
As I briefly mentioned in my first post , I am a big DC Comics fan, so when I heard that a show about the Green Arrow was in development, I was quite excited. This pilot has also been praised by both critics and fans who saw it at Comic-Con. The show is most likely an attempt by The CW to get back the male viewers that they lost when Smallville ended, which is a fine plan, as long as the show is good. The show-runners have promised that other DC characters will show up in the series, so I will definitely be tuning in to this one.
Premiere: October 10 at 8:00
3. Last Resort (ABC)
I don't know much about this show except that it's about a submarine crew that refuses to follow an order to attack a country and are then considered enemies of the United States. I have no clue where the show will go from there, but, based on the concept and the generally good marks given by critics, it could become the network's most popular drama since Lost, provided that subsequent episodes don't drop in quality.
Premiere: September 27 at 8:00
4. Elementary (CBS)
This is the show about which I am the most skeptical. Centered around Sherlock Holmes, who moves to New York to solve crimes, it is sure to be a hit with the normal viewers of CBS procedurals. However, for people like me who are fans of Sherlock, it will inevitably be compared to the excellent BBC show. The oddest thing about the show is the casting of Lucy Liu as Dr. (Joan) Watson. It's an interesting twist, but I'm not sure how it will play out to the Holmes fans. I will definitely check it out, but the pilot is really going to have to hook me in order for me to continue watching.
Premiere: September 27 at 10:00
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