The fall TV season has arrived. And with it comes a whole slew of TV shows to look forward to. Unfortunately I didn't get around to writing a "most anticipated" list this year, so I will just be writing reviews as the shows premiere. First up is the final season of How I Met Your Mother. If you haven't seen the premiere yet, I recommend watching it before reading this post.
In last season's finale, the gang was getting ready to go to Barney (Neil Patrick Harris) and Robin's (Cobie Smulders) wedding (we also got our first look at The Mother, but I'll get to that). Last night's hour-long premiere picked up right where we left off, 55 hours before the wedding. This season will take place entirely within the wedding weekend and will culminate (I assume) in Ted (Josh Radnor) meeting The Mother. This is definitely an interesting choice because 24 episodes worth of story will only take up two and a half days, but based on the premiere, I think it will turn out alright.
A lot happened in this episode, so I will break it down by each character's storyline. First I'll talk about Marshall (Jason Segel). At the end of last season, Marshall was in Minnesota visiting his mother with Marvin before the planned move to Italy. However, he ends up taking a judgeship position without telling Lily (Alyson Hannigan). Now on the plane, Marshall sees an online post from his mother congratulating him. He then tries to get her to delete it before Lily sees it. This leads to an altercation with the passenger next to him, Daphne (Sherri Shepherd), which gets them both kicked off the plane, and there are no open flights to New York left. They eventually end up renting a car together to drive to New York. While this is one of the weakest Marshall subplots I've seen, Segel and Shepherd seemed to have some chemistry, so I am looking forward to their interactions on the road.
Next up is Barney and Robin. The first half of the premiere saw the couple in the back of the limo discussing "wild cards," people who could possibly ruin the wedding. They then realize that they share a crazy Cousin Mitch, and they are afraid they might be related. Although it turned out to be a false-alarm, it allowed for an awesome Game of Thrones reference and led to this exchange:
Barney: Our wedding is going to be legendary
Robin: No waitforit?
Barney: I’ve got you. I don’t have to wait for it anymore.
As cheesy as this line is, this new side of Barney is nice to see. He has matured a lot in the last couple of seasons. This maturation is also seen in his reaction to finding out that his brother James (Wayne Brady), whose marriage made Barney believe in true love, is getting a divorce. Instead of freaking out like Robin expected, Barney takes it very well. I'm sure there will be hurdles to overcome in Barney and Robin's story this season, but for now, it's good to see them happy.
Speaking of being happy, let's go on to Ted, who repeatedly has to insist to the hotel clerk (Roger Bart) that he is happy after he asks for a single key to his room. (Sidebar: I loved this gag. I thought Bart was hilarious as the clerk, who was really concerned for Ted.) Ted didn't have much to do in this episode, but future Ted reveals that he will be the wild card at the wedding. That may or may not have something to do with the locket that Robin was looking for last season and that ended up in Ted's pencil box. In a flashback, we find out that the pencil box ended up with Stella, who has since moved to Los Angeles. Although Ted promised Lily that he wouldn't go after it, another flashback shows Ted buying a ticket to L.A. four days ago. I don't know where this storyline is going, but I'm excited to find out how Ted becomes the wild card. The episode ended with a flashforward to one year later, when Ted brings The Mother, played very well by Cristin Milioti, back to the hotel. This is the first scene with both Ted and The Mother, and even though it wasn't present-day Ted, it was still an amazing, heartwarming scene. Radnor and Milioti have great chemistry, and hopefully we will see more scenes with them together this season.
Finally we get to Lily. Like I said earlier, we got our first look at The Mother last season. In the first half hour, we get to see more of her when Lily meets her on the train. Lily is the first of the gang to meet The Mother, and they hit it off right away. We also learn through future Ted's narration some great things about The Mother, like her nickname for slow-driving Ted, Tedwina Slowsby, and her love for some of the same nerdy things that Ted loves. Lily's interactions with The Mother provided the beginning of a picture of Ted's future wife. So far Milioti is great in this high-pressure role, and I'm really excited to see how The Mother gets along with the rest of the gang. The rest of Lily's storyline was nothing special, but I'm sure she'll have more to do once Marshall gets there and tells her about the judgeship.
Overall, I really liked this episode. It wasn't perfect, but it was a solid start to what promises to be an eventful final season. It got the ball rolling for some interesting storylines, and gave us a look into who Ted is going to spend the rest of his life with. How exactly he meets her is still uncertain, but I look forward to seeing how he gets from the lonely single guy at his best friends' wedding to the happy, lovestruck guy we saw in the flashforward.
Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts
Tuesday, September 24, 2013
Friday, July 12, 2013
'The Bridge' Pilot Review: Culture Clash
On Wednesday FX aired the pilot of its newest drama, The Bridge. The show begins with a mysterious figure strategically placing a body on the border between El Paso, TX, and Ciudad Juarez, Mexico. This forces two detectives, Sonya Cross (Diane Kruger) from El Paso and Marco Ruiz (Demián Bichir) from Juarez, to work together on the case, which seems to be the work of a serial killer.
The most interesting thing about The Bridge is its depiction of the culture clash between the U.S. and Mexico. Immigration is a hot topic today, so it's about time a TV show takes a look at the differences between Mexican and American cultures. The Bridge handles this well by not focusing on either culture but rather providing a balanced and (so far) unbiased look at both. It is very interesting to see how police work is conducted on either side of the border. Sonya does everything by-the-book and puts a lot of effort into her work, while Ruiz is more laid back because in Juarez, the police are often bribed by drug cartels, so many cases are not looked into thoroughly.
The differences between the two detectives are also seen in their personalities, which are portrayed well by the two leads. I quickly grew fond of Ruiz thanks to Bichir's acting. Bichir seems to lose himself in the role, making Ruiz a very real and likable character. He is a family man and seems to be one of the few uncorrupted cops in the Juarez police force. I couldn't help but smile during many of his interactions with Sonya, who is almost completely opposite Ruiz.
Kruger, however, did not grab my attention as much as Bichir. At first her acting seemed rather stiff, but then I realized that it was the character who is stiff. Sonya is a professional, but she lacks personality, which seems to be the point of her character. Whether it is because of a mental illness or something from her past is unclear, but Sonya buries herself in her work and lacks empathy, as seen (and directly stated) when she must tell the victim's husband the bad news. Kruger portrays this lack of emotion well, but it is kind of a turn-off. Hopefully her character will be developed and provide Kruger with some more room to act.
The episode was rather slow-paced, but for some reason I didn't mind that. Pilot episodes are usually fast-paced to draw in viewers, but this one was slower yet still managed to keep my attention. The pacing allowed me to get to know the characters, but not through heavy exposition. It was their interactions with each other that showed me who they are.
There are many lingering questions other than the main case that make this show very intriguing and will keep me watching. The biggest question is how the two subplots connect to the main case. In one, a woman named Charlotte (Annabeth Gish) has just been widowed and discovers a second phone among her late husband's pocket, leading her to snoop around their property. In the other, a shady American kidnaps a young Mexican woman. Whether he is the killer remains to be seen, but he is certainly suspicious.
The Bridge definitely seems to be a show to stick with. The two main characters are interesting, and I am excited to learn more about their pasts. The acting overall is very good. Two other great performances to point out are Ted Levine as Sonya's boss and Matthew Lillard as a jerk journalist. Finally, the writers did an excellent job with raising both questions about the plot and about culture and morality. Not only does this show make you wonder what will happen next, but it also makes you think about the differences between the U.S. and Mexico.
If you didn't watch The Bridge, I highly recommend it. If you did, feel free to leave your thoughts in the comments.
The most interesting thing about The Bridge is its depiction of the culture clash between the U.S. and Mexico. Immigration is a hot topic today, so it's about time a TV show takes a look at the differences between Mexican and American cultures. The Bridge handles this well by not focusing on either culture but rather providing a balanced and (so far) unbiased look at both. It is very interesting to see how police work is conducted on either side of the border. Sonya does everything by-the-book and puts a lot of effort into her work, while Ruiz is more laid back because in Juarez, the police are often bribed by drug cartels, so many cases are not looked into thoroughly.
The differences between the two detectives are also seen in their personalities, which are portrayed well by the two leads. I quickly grew fond of Ruiz thanks to Bichir's acting. Bichir seems to lose himself in the role, making Ruiz a very real and likable character. He is a family man and seems to be one of the few uncorrupted cops in the Juarez police force. I couldn't help but smile during many of his interactions with Sonya, who is almost completely opposite Ruiz.
Kruger, however, did not grab my attention as much as Bichir. At first her acting seemed rather stiff, but then I realized that it was the character who is stiff. Sonya is a professional, but she lacks personality, which seems to be the point of her character. Whether it is because of a mental illness or something from her past is unclear, but Sonya buries herself in her work and lacks empathy, as seen (and directly stated) when she must tell the victim's husband the bad news. Kruger portrays this lack of emotion well, but it is kind of a turn-off. Hopefully her character will be developed and provide Kruger with some more room to act.
The episode was rather slow-paced, but for some reason I didn't mind that. Pilot episodes are usually fast-paced to draw in viewers, but this one was slower yet still managed to keep my attention. The pacing allowed me to get to know the characters, but not through heavy exposition. It was their interactions with each other that showed me who they are.
There are many lingering questions other than the main case that make this show very intriguing and will keep me watching. The biggest question is how the two subplots connect to the main case. In one, a woman named Charlotte (Annabeth Gish) has just been widowed and discovers a second phone among her late husband's pocket, leading her to snoop around their property. In the other, a shady American kidnaps a young Mexican woman. Whether he is the killer remains to be seen, but he is certainly suspicious.
The Bridge definitely seems to be a show to stick with. The two main characters are interesting, and I am excited to learn more about their pasts. The acting overall is very good. Two other great performances to point out are Ted Levine as Sonya's boss and Matthew Lillard as a jerk journalist. Finally, the writers did an excellent job with raising both questions about the plot and about culture and morality. Not only does this show make you wonder what will happen next, but it also makes you think about the differences between the U.S. and Mexico.
If you didn't watch The Bridge, I highly recommend it. If you did, feel free to leave your thoughts in the comments.
Friday, May 17, 2013
'The Office' Series Finale Review: A Perfect Goodbye
After nine seasons, NBC aired the series finale of The Office last night. What started off as a great show became somewhat mediocre in its second half. I still enjoyed it, but it wasn't as must-see as it was in its earlier seasons. Exit Steve Carell in season 7, and people wondered whether the show could survive. Carell was surely missed, but I think the show did well without him. He was just one actor in a very large, very solid cast, and that cast helped keep the show alive. Season 8 was definitely not the best of the series, but it could have been a lot worse. I know that a lot of people hated the odd, creepy Robert California (James Spader), but I, for one, thought Spader was a good addition to the cast for one season. Then, after season 8 ended, NBC and the showrunners agreed that season 9 would be the final season. I was excited because it's always nice for showrunners to go into a season knowing it will be the last so that they can end the series properly. Season 9 started off ok (it didn't feel very different from season 8), but by the second half, the writers kicked it into full gear and ended the series perfectly.
In the second half of this season, we were introduced to one of the members of the documentary crew, that is, the people behind the cameras that have been following these people around for 9 years. This was the first acknowledgement in a while of this show actually being a PBS documentary. Then the promos for the documentary aired and we realized that we're approaching the end. Throughout the series, we often forgot that these people were the subject of a documentary, so bringing that to the foreground in the final episodes brought the show full-circle. It was a very fitting way to end the series.
This episode takes place one year after the airing of the documentary as a sort of "Where are they now?" episode. It centered around two major events: a Q&A panel for the characters (i.e. the subjects of the documentary) and Dwight and Angela's wedding, with the wedding getting the primary focus. The wedding, although a little cliché, is a perfect way to bring back old characters, including, of course, our favorite Regional Manager--Michael Scott (Carell).
Carell's appearance, though not very surprising, was beautifully handled. Jim, Dwight's best man, had been pulling a series of "gutenpranks" (good pranks) to surprise Dwight. These included making excuses to PBS so that the Q&A panel fell on the same weekend as the wedding (so people like Andy and Darryl would be there), giving Dwight the chance to fire a bazooka as part of his bachelor party, giving him the opportunity to reconcile with Kevin (whom Dwight had fired), and making up a phony tradition that meant Michael would have to replace Jim as best man. This last gutenprank led to one of the best lines of the episode when Dwight sees Michael:
Dwight: I can't believe you came.
Michael: That's what she said.
This moment, Michael's final "That's what she said," was beautiful and completely captured the character of Michael Scott. What made this cameo great was that it was just that: a cameo. Carell had only a couple of lines, so he didn't steal the episode away from everyone else. But we did find out that Michael finally got the family he always wanted, which was a heartwarming revelation.
The other characters all got closure as well. Oscar is running for senate; Erin found her biological parents; Andy got a job at Cornell; Stanley is retired; Creed got arrested for a long list of things I can't even begin to recount (but not before singing an original song about friendship); and Jim and Pam, who had had marital struggles this season, sold their house and are moving to Austin where Jim will work for the company he helped start earlier this season. All of this closure is exactly what you want to see in a series finale, especially one for a show with a large cast of characters that you've grown to love.
The last ten minutes of the episode almost had me tearing up. Everyone got their last word in their final testimonials. And it all ended with Pam's perfect closing line about choosing Dunder Mifflin for a documentary: "There's a lot of beauty in ordinary things. Isn't that kinda the point?"
Although it was not a perfect series, I am very glad to have stuck with The Office through all of its ups and downs. It is and probably always will be one of my favorite sitcoms, and the finale, by highlighting all of the characters, reminded me why that is. The Office will be missed, but I can't imagine a better way to say goodbye.
In the second half of this season, we were introduced to one of the members of the documentary crew, that is, the people behind the cameras that have been following these people around for 9 years. This was the first acknowledgement in a while of this show actually being a PBS documentary. Then the promos for the documentary aired and we realized that we're approaching the end. Throughout the series, we often forgot that these people were the subject of a documentary, so bringing that to the foreground in the final episodes brought the show full-circle. It was a very fitting way to end the series.
This episode takes place one year after the airing of the documentary as a sort of "Where are they now?" episode. It centered around two major events: a Q&A panel for the characters (i.e. the subjects of the documentary) and Dwight and Angela's wedding, with the wedding getting the primary focus. The wedding, although a little cliché, is a perfect way to bring back old characters, including, of course, our favorite Regional Manager--Michael Scott (Carell).
Carell's appearance, though not very surprising, was beautifully handled. Jim, Dwight's best man, had been pulling a series of "gutenpranks" (good pranks) to surprise Dwight. These included making excuses to PBS so that the Q&A panel fell on the same weekend as the wedding (so people like Andy and Darryl would be there), giving Dwight the chance to fire a bazooka as part of his bachelor party, giving him the opportunity to reconcile with Kevin (whom Dwight had fired), and making up a phony tradition that meant Michael would have to replace Jim as best man. This last gutenprank led to one of the best lines of the episode when Dwight sees Michael:
Dwight: I can't believe you came.
Michael: That's what she said.
This moment, Michael's final "That's what she said," was beautiful and completely captured the character of Michael Scott. What made this cameo great was that it was just that: a cameo. Carell had only a couple of lines, so he didn't steal the episode away from everyone else. But we did find out that Michael finally got the family he always wanted, which was a heartwarming revelation.
The other characters all got closure as well. Oscar is running for senate; Erin found her biological parents; Andy got a job at Cornell; Stanley is retired; Creed got arrested for a long list of things I can't even begin to recount (but not before singing an original song about friendship); and Jim and Pam, who had had marital struggles this season, sold their house and are moving to Austin where Jim will work for the company he helped start earlier this season. All of this closure is exactly what you want to see in a series finale, especially one for a show with a large cast of characters that you've grown to love.
The last ten minutes of the episode almost had me tearing up. Everyone got their last word in their final testimonials. And it all ended with Pam's perfect closing line about choosing Dunder Mifflin for a documentary: "There's a lot of beauty in ordinary things. Isn't that kinda the point?"
Although it was not a perfect series, I am very glad to have stuck with The Office through all of its ups and downs. It is and probably always will be one of my favorite sitcoms, and the finale, by highlighting all of the characters, reminded me why that is. The Office will be missed, but I can't imagine a better way to say goodbye.
Tuesday, November 27, 2012
'Revolution' Midseason Finale Review: A New Beginning
I haven't been writing about Revolution since the pilot because I watch each episode a day or two after it airs. Also, I haven't had very strong feelings about the show so far. It's definitely not the best show on TV, but I do enjoy it very much. That said, it still has a few kinks to work out, especially in the dialogue writing, but it has proven itself to be a success since it has gotten very strong ratings and decent critic reviews.
I did watch last night's episode live, and it was the show's midseason finale. This means we will not see the second half of the season until March. Therefore, I decided to write a review of the episode. I don't usually do this, but I am going to give a SPOILER ALERT because I want to address the episode's ending. So please, if you haven't seen the episode and would not like it to be spoiled, do not read this review until after you have watched it.
Knowing that this was the midseason finale, I was expecting an intense showdown between Miles (Billy Burke) and Monroe (David Lyons). The show has been building up to this moment ever since we found out that Miles used to be a commanding general in the Monroe militia, and the scene did not disappoint. After Miles takes out Monroe's soldiers, the two point guns at each other and have an intense face-off. In a scene of great acting by both Burke and Lyons, Monroe puts down his weapon and reminds Miles how they are like brothers and invites Miles to rejoin the militia. Miles puts down his weapon, but tells Monroe, "You're no the same person. ... We aren't brothers." He also says he's sorry he didn't kill Monroe the first time. The two then have sword fight which was great while it lasted. More soldiers come and Monroe tells them to kill Miles, but Miles is able to jump out of a window just in time. At first I was disappointed that nothing happened in the fight, but upon looking back, I realized that this was only the midseason finale, and we still have a whole half of a season for a resolution in the Miles-Monroe conflict. With that in mind, I think this scene was handled very well, and it provided a look into how each of them feels about their relationship.
Another great scene was when Charlie (Tracy Spiradakos) is reunited with her mother, Rachel (Elizabeth Mitchell), after being thrown into the same cell. There wasn't much dialogue between the two, but through her facial expressions and body language, Spiradakos was able to portray the confusion, anger, and joy that Charlie must have been experiencing all at once. Spiradakos, in my opinion, has proven herself to be the right choice for this show. She still has a little farther to go to become a great actress, but she is doing a fine job so far.
As I mentioned in my introduction to this review, the writing needs a little work. Overall, I think the writers have been doing a great job in how they are progressing the plot, but some of the dialogue has been cheesy. For example, in this episode, when Rachel is being taunted by one of Monroe's henchmen, he says something along the lines of, "That daughter of yours is quite the little peach, and I could eat peaches all day." My friends and I immediately started laughing at how ridiculous that line was, so hopefully they can work on some of the dialogue. But like I said, the plot development has been good, and I still like the flashbacks. This episode didn't have many flashbacks, but the few that it did have provided insight into the relationship between Miles and Monroe. I especially liked the flashbacks to their childhood that were placed among their scenes together in the present. Given that there are fifteen years of untold story, I hope the writers can continue to make good use of the flashbacks to tell that story.
The last thing I want to address is the ending and where the show goes from here. I am very glad that the showrunners decided to have the gang rescue Danny and Rachel. This half of the season was all about them trying to rescue Danny, and while it was a fine first half, I wouldn't have wanted to see that plot in the second half. It seems that the rest of the season will focus on Monroe using the amplifier that Rachel built to power-up his army and "flex his muscles," showing everyone who has the power. What I would like to see more of is the other republics. They have been mentioned a few times so far, but I think a whole story arc involving the interactions between republics would be very interesting. Also, I am interested in how Charlie and Danny will interact with their mother, whom they believed was dead. We have already seen Rachel kill two people, so I wonder how that will affect her relationship with her children. In any case, I look forward to the second half of the season, as there is potential for a new beginning for both the show and its characters.
As always, feel free to leave your thoughts on the episode, the show as a whole, or where you would like to see it go from here.
I did watch last night's episode live, and it was the show's midseason finale. This means we will not see the second half of the season until March. Therefore, I decided to write a review of the episode. I don't usually do this, but I am going to give a SPOILER ALERT because I want to address the episode's ending. So please, if you haven't seen the episode and would not like it to be spoiled, do not read this review until after you have watched it.
Knowing that this was the midseason finale, I was expecting an intense showdown between Miles (Billy Burke) and Monroe (David Lyons). The show has been building up to this moment ever since we found out that Miles used to be a commanding general in the Monroe militia, and the scene did not disappoint. After Miles takes out Monroe's soldiers, the two point guns at each other and have an intense face-off. In a scene of great acting by both Burke and Lyons, Monroe puts down his weapon and reminds Miles how they are like brothers and invites Miles to rejoin the militia. Miles puts down his weapon, but tells Monroe, "You're no the same person. ... We aren't brothers." He also says he's sorry he didn't kill Monroe the first time. The two then have sword fight which was great while it lasted. More soldiers come and Monroe tells them to kill Miles, but Miles is able to jump out of a window just in time. At first I was disappointed that nothing happened in the fight, but upon looking back, I realized that this was only the midseason finale, and we still have a whole half of a season for a resolution in the Miles-Monroe conflict. With that in mind, I think this scene was handled very well, and it provided a look into how each of them feels about their relationship.
Another great scene was when Charlie (Tracy Spiradakos) is reunited with her mother, Rachel (Elizabeth Mitchell), after being thrown into the same cell. There wasn't much dialogue between the two, but through her facial expressions and body language, Spiradakos was able to portray the confusion, anger, and joy that Charlie must have been experiencing all at once. Spiradakos, in my opinion, has proven herself to be the right choice for this show. She still has a little farther to go to become a great actress, but she is doing a fine job so far.
As I mentioned in my introduction to this review, the writing needs a little work. Overall, I think the writers have been doing a great job in how they are progressing the plot, but some of the dialogue has been cheesy. For example, in this episode, when Rachel is being taunted by one of Monroe's henchmen, he says something along the lines of, "That daughter of yours is quite the little peach, and I could eat peaches all day." My friends and I immediately started laughing at how ridiculous that line was, so hopefully they can work on some of the dialogue. But like I said, the plot development has been good, and I still like the flashbacks. This episode didn't have many flashbacks, but the few that it did have provided insight into the relationship between Miles and Monroe. I especially liked the flashbacks to their childhood that were placed among their scenes together in the present. Given that there are fifteen years of untold story, I hope the writers can continue to make good use of the flashbacks to tell that story.
The last thing I want to address is the ending and where the show goes from here. I am very glad that the showrunners decided to have the gang rescue Danny and Rachel. This half of the season was all about them trying to rescue Danny, and while it was a fine first half, I wouldn't have wanted to see that plot in the second half. It seems that the rest of the season will focus on Monroe using the amplifier that Rachel built to power-up his army and "flex his muscles," showing everyone who has the power. What I would like to see more of is the other republics. They have been mentioned a few times so far, but I think a whole story arc involving the interactions between republics would be very interesting. Also, I am interested in how Charlie and Danny will interact with their mother, whom they believed was dead. We have already seen Rachel kill two people, so I wonder how that will affect her relationship with her children. In any case, I look forward to the second half of the season, as there is potential for a new beginning for both the show and its characters.
As always, feel free to leave your thoughts on the episode, the show as a whole, or where you would like to see it go from here.
Thursday, October 11, 2012
'Arrow' Pilot Review: Meet the Emerald Archer
Last night The CW aired the pilot of its new show Arrow. The show follows the life of DC Comics superhero Green Arrow (although here he simply goes by Arrow) in his early years. This is The CW's second superhero show, the first being Smallville, which finished its run in 2010.
In the pilot, Oliver Queen (Stephen Amell), a rich twentysomething who had spent most of his time partying, is finally rescued after spending five years on an island after a shipwreck that killed his father and the sister of Oliver's (now ex-) girlfriend Dinah "Laurel" Lance (Katie Cassidy). Oliver returns to find Starling City corrupted, so he decides to take matters into his own hands. He dons a green hood and a bow and arrow to save the city from corruption. Meanwhile, he is hunted by Laurel's father, Detective Quentin Lance (Paul Blackthorne).
One aspect that was created for the show is Oliver's family. In the comics, both of Oliver's parents are dead, and he has no siblings. In the show, however, Oliver's mother Moira (Susanna Thompson) is alive, and Oliver has a younger sister Thea (Willa Holland), whom Oliver has nicknamed Speedy. (If you're familiar with the Green Arrow comics, you know how important this nickname is. If not, and you want a peek at what may happen later in the series, look up Speedy on Wikipedia.) Also in the picture is Moira's new husband Walter Steele (Colin Salmon), Oliver's best friend Tommy Merlyn (Colin Donnell), and Oliver's new bodyguard John Diggle (David Ramsey). As you can see, there are many supporting characters, each, I'm sure, with their own role in the overarching story. Some roles are hinted at by the end of the episode, some may be guessed by those who know the comics, and some have yet to be revealed. Hopefully the writers can make good use of all of these characters.
Speaking of the writers, the men behind the show, Greg Berlanti, Andrew Kreisberg, and Marc Guggenheim, did a great job with this episode. The dialogue was strong, and I like that they are using flashbacks to show Oliver's time on the island. My only complaint is Oliver's voice-over that they used throughout the episode. For some reason, it didn't seem to fit in some instances. I think I can get used to it, though, provided that they use it mainly in the flashback sequences, during which it is likely that Oliver will be the only character and there will be little to no dialogue. In any case, the voice-over writing could be sharper.
The acting was solid all around. I especially liked Amell and Cassidy, and I think the two have great chemistry. Throughout the series, Amell will have to play many different versions of the same character: the Oliver on the island, fighting to survive; the Oliver who interacts with his friends and family, hiding his secret; and Arrow, fighting crime in Starling City. After seeing the pilot, I think he will do a fine job. Cassidy's Laurel is a legal aid, so she represents the legal side of the war against corruption. Cassidy successfully portrays Laurel as both a powerful woman and an emotionally conflicted girl who just found out her ex-boyfriend, who was cheating on her with her sister, just came back from the dead. Blackthorne also stood out as the head detective in the Arrow case. I have a feeling that in the foreseeable future, Det. Lance will stop at nothing to catch this vigilante, and Blackthorne hinted at this through his acting in the pilot. The rest of the supporting cast did a fine job. No one else really stood out, but I don't have any complaints either.
Arrow might be my favorite show of the new season, not only because I am a comic book fan, but also because it was executed so well. I look forward to learning about Oliver's time on the island and how these characters will interact. Also, I'm excited to see what DC characters will be incorporated into the show (one of which was clearly hinted at very early in the episode). I have high hopes for this show, so hopefully in future episodes it can deliver as well as it did last night.
In the pilot, Oliver Queen (Stephen Amell), a rich twentysomething who had spent most of his time partying, is finally rescued after spending five years on an island after a shipwreck that killed his father and the sister of Oliver's (now ex-) girlfriend Dinah "Laurel" Lance (Katie Cassidy). Oliver returns to find Starling City corrupted, so he decides to take matters into his own hands. He dons a green hood and a bow and arrow to save the city from corruption. Meanwhile, he is hunted by Laurel's father, Detective Quentin Lance (Paul Blackthorne).
One aspect that was created for the show is Oliver's family. In the comics, both of Oliver's parents are dead, and he has no siblings. In the show, however, Oliver's mother Moira (Susanna Thompson) is alive, and Oliver has a younger sister Thea (Willa Holland), whom Oliver has nicknamed Speedy. (If you're familiar with the Green Arrow comics, you know how important this nickname is. If not, and you want a peek at what may happen later in the series, look up Speedy on Wikipedia.) Also in the picture is Moira's new husband Walter Steele (Colin Salmon), Oliver's best friend Tommy Merlyn (Colin Donnell), and Oliver's new bodyguard John Diggle (David Ramsey). As you can see, there are many supporting characters, each, I'm sure, with their own role in the overarching story. Some roles are hinted at by the end of the episode, some may be guessed by those who know the comics, and some have yet to be revealed. Hopefully the writers can make good use of all of these characters.
Speaking of the writers, the men behind the show, Greg Berlanti, Andrew Kreisberg, and Marc Guggenheim, did a great job with this episode. The dialogue was strong, and I like that they are using flashbacks to show Oliver's time on the island. My only complaint is Oliver's voice-over that they used throughout the episode. For some reason, it didn't seem to fit in some instances. I think I can get used to it, though, provided that they use it mainly in the flashback sequences, during which it is likely that Oliver will be the only character and there will be little to no dialogue. In any case, the voice-over writing could be sharper.
The acting was solid all around. I especially liked Amell and Cassidy, and I think the two have great chemistry. Throughout the series, Amell will have to play many different versions of the same character: the Oliver on the island, fighting to survive; the Oliver who interacts with his friends and family, hiding his secret; and Arrow, fighting crime in Starling City. After seeing the pilot, I think he will do a fine job. Cassidy's Laurel is a legal aid, so she represents the legal side of the war against corruption. Cassidy successfully portrays Laurel as both a powerful woman and an emotionally conflicted girl who just found out her ex-boyfriend, who was cheating on her with her sister, just came back from the dead. Blackthorne also stood out as the head detective in the Arrow case. I have a feeling that in the foreseeable future, Det. Lance will stop at nothing to catch this vigilante, and Blackthorne hinted at this through his acting in the pilot. The rest of the supporting cast did a fine job. No one else really stood out, but I don't have any complaints either.
Arrow might be my favorite show of the new season, not only because I am a comic book fan, but also because it was executed so well. I look forward to learning about Oliver's time on the island and how these characters will interact. Also, I'm excited to see what DC characters will be incorporated into the show (one of which was clearly hinted at very early in the episode). I have high hopes for this show, so hopefully in future episodes it can deliver as well as it did last night.
Sunday, September 30, 2012
Premiere Week Roundup
I almost did it. The only premiere that I didn't get to this week was Elementary (and the ones I put in bold, but those don't count), so once I watch it, it will probably get its own post. Also, I wanted to write this post before the end of the weekend, so I will review tonight's premiere(s) (most importantly, Homeland) within the next few days.
Now I'm going to briefly review the seven premieres that I watched this week. I will sort them by network, and I will give each of them a rating out of five.
CBS
How I Met Your Mother:
It has yet to be confirmed whether this season of HIMYM will be its last. I, for one, hope that it is because the show has lost steam the past couple of seasons. That said, the premiere was strong and brought Ted closer to the mother than ever before. I look forward to seeing how all the clues they have dropped since the beginning tie together in the end (if it is indeed the end).
Rating: 3.5
Hawaii Five-0:
This premiere was very intense. It picked up exactly where the finale left off, and it definitely delivered. I was somewhat disappointed by parts of last season, so I hope this season will remain as strong as it began. There is plenty of story to tell this season. Chin has suffered a loss, Danny is in a legal battle with his ex-wife, and Steve just found out his mother is not dead after all. Here's hoping they can maintain these story lines while delivering the intensity that they showed in the premiere.
Rating: 4
The Big Bang Theory:
Last season's finale was one of the best of the series, so I was slightly disappointed by this premiere. Howard argues with his mother, Leonard's relationship with Penny is awkward, and Raj is lonely...so nothing new (except that Howard is arguing from space). The only advancements we seem to be making are in the relationship between Sheldon and Amy. The two have a date night which is, in a word, interesting. The episode was still funny, but the plot was dry. I hope the writers can pick it up this season.
Rating: 3
Person of Interest:
Like The Big Bang Theory, last season's finale was amazing. Unlike The Big Bang Theory, this premiere did not disappoint. With Finch kidnapped, Reese must proceed on his own, which is an interesting new dynamic. My only request for this season is more flashbacks so we can delve deeper into the characters' pasts. In this episode, we see into the past of the machine, which has more or less become another character. I am very interested to see where they go with this season and how quickly Finch is rescued.
Rating: 5
FOX
New Girl:
FOX aired two episodes of New Girl on Tuesday, and they were both hilarious. I won't dwell too much on this premiere because all I need to say is that the show is hilarious and if you aren't watching it, you should be.
Rating: 5
ABC
Modern Family:
Although the story lines aren't always the most original, this show has some of the most consistently funny writing. The premiere was no exception. It was interesting how they handled this episode. It picked up right where the finale left off, where most sitcoms do a time jump to coincide with when the episodes are airing. At the end of the episode, there was a time jump to a few months later. I thought that was handled nicely. Finally, Ed O'Neill was amazing in this episode and proved that he should've won the Emmy last week.
Rating: 4
Last Resort:
I was actually quite surprised by this pilot. It was very well done, but I have some worries about it. A lot of characters were introduced, so I hope that they can develop them well. Also, it seems that this show will either be really good or will drop in quality fast since the pilot was so intense. Lastly, I hope they find a good way to use Autumn Reeser's character because I like her, but some of her scenes seemed out of place. I really look forward to the rest of this season.
Rating: 4.5
Wow. That ended up being a lot longer than I wanted it to be. I think it's safe to assume I won't be doing any more of these all-encompassing posts. I know these reviews were not very detailed, but I'll try to do detailed reviews for some future episodes. For now, excuse me while I massage my fingers.
Now I'm going to briefly review the seven premieres that I watched this week. I will sort them by network, and I will give each of them a rating out of five.
CBS
How I Met Your Mother:
It has yet to be confirmed whether this season of HIMYM will be its last. I, for one, hope that it is because the show has lost steam the past couple of seasons. That said, the premiere was strong and brought Ted closer to the mother than ever before. I look forward to seeing how all the clues they have dropped since the beginning tie together in the end (if it is indeed the end).
Rating: 3.5
Hawaii Five-0:
This premiere was very intense. It picked up exactly where the finale left off, and it definitely delivered. I was somewhat disappointed by parts of last season, so I hope this season will remain as strong as it began. There is plenty of story to tell this season. Chin has suffered a loss, Danny is in a legal battle with his ex-wife, and Steve just found out his mother is not dead after all. Here's hoping they can maintain these story lines while delivering the intensity that they showed in the premiere.
Rating: 4
The Big Bang Theory:
Last season's finale was one of the best of the series, so I was slightly disappointed by this premiere. Howard argues with his mother, Leonard's relationship with Penny is awkward, and Raj is lonely...so nothing new (except that Howard is arguing from space). The only advancements we seem to be making are in the relationship between Sheldon and Amy. The two have a date night which is, in a word, interesting. The episode was still funny, but the plot was dry. I hope the writers can pick it up this season.
Rating: 3
Person of Interest:
Like The Big Bang Theory, last season's finale was amazing. Unlike The Big Bang Theory, this premiere did not disappoint. With Finch kidnapped, Reese must proceed on his own, which is an interesting new dynamic. My only request for this season is more flashbacks so we can delve deeper into the characters' pasts. In this episode, we see into the past of the machine, which has more or less become another character. I am very interested to see where they go with this season and how quickly Finch is rescued.
Rating: 5
FOX
New Girl:
FOX aired two episodes of New Girl on Tuesday, and they were both hilarious. I won't dwell too much on this premiere because all I need to say is that the show is hilarious and if you aren't watching it, you should be.
Rating: 5
ABC
Modern Family:
Although the story lines aren't always the most original, this show has some of the most consistently funny writing. The premiere was no exception. It was interesting how they handled this episode. It picked up right where the finale left off, where most sitcoms do a time jump to coincide with when the episodes are airing. At the end of the episode, there was a time jump to a few months later. I thought that was handled nicely. Finally, Ed O'Neill was amazing in this episode and proved that he should've won the Emmy last week.
Rating: 4
Last Resort:
I was actually quite surprised by this pilot. It was very well done, but I have some worries about it. A lot of characters were introduced, so I hope that they can develop them well. Also, it seems that this show will either be really good or will drop in quality fast since the pilot was so intense. Lastly, I hope they find a good way to use Autumn Reeser's character because I like her, but some of her scenes seemed out of place. I really look forward to the rest of this season.
Rating: 4.5
Wow. That ended up being a lot longer than I wanted it to be. I think it's safe to assume I won't be doing any more of these all-encompassing posts. I know these reviews were not very detailed, but I'll try to do detailed reviews for some future episodes. For now, excuse me while I massage my fingers.
Tuesday, September 11, 2012
'Revolution' Pilot Review: Power Struggles
On Thursday I went to an advanced screening of the pilot of the the NBC show Revolution. I'll try not to spoil the episode for those who haven't seen it, but if you want to watch it before reading this, you can watch it at nbc.com/revolution.
Overall I was very impressed by the pilot. I had high hopes that it would be good but was unsure whether it would deliver. By now you probably know what the show is about, but I'll give a brief summary anyway. Fifteen years after a mysterious blackout, humans must survive without cars, batteries, and anything electronic. Firearms have been outlawed, which explains the sword fighting and crossbows seen in the promos, and militias have risen under the mysterious General Monroe.
The show is centered on Charlie Matheson (Tracy Spiridakos), daughter of Ben Matheson (Tim Guinee) who seems to know something about the blackout. Charlie's brother Danny (Graham Rogers) is taken by militia leader Tom Neville (Giancarlo Esposito) after Ben is killed. With his dying breath, Ben tells Charlie to go to Chicago to find his brother Miles (Billy Burke), who will know how to find Danny. Charlie takes on this mission, accompanied by Ben's girlfriend Maggie (Anna Lise Phillips) and his friend Aaron (Zak Orth).
Almost all of the actors gave great performances. Both Esposito, coming off of an outstanding season of Breaking Bad, and Burke were great in their respective scenes. I look forward to seeing more of them, and hopefully they will share some scenes soon because I would love to see them face off. I was especially surprised by Spiridakos's performance. I was not expecting her to convince me as the young heroine, but she did. Hopefully she can keep it up in the episodes to come. The last performance I want to mention is that of Orth, who provides the comic relief in the show. He had some good one-liners in this episode, so I hope the writers can use him well.
I have to give credit to Jon Favreau (director of the first two Iron Man movies), who directed this episode. He did a fantastic job, but I worry that he may have set the bar too high for future directors. We'll see how they do, but I hope that Favreau comes back at some point, provided that the show continues.
Which leads to my final point: the future of the show. As most hardcore TV fans know, NBC has been struggling with getting dramas off the ground, especially high-concept ones like this. The Event was a massive failure, and Awake, though a great show in my opinion, failed to find an audience. I believe that what this show needs is great character development, something that The Event lacked. The pilot did a decent job at giving us insight into what is driving the characters, but there is still room for improvement. If the writers can make us care about the characters, while simultaneously provide us with an engrossing mystery, I believe the show will succeed.
Revolution is off to a very fine start. I look forward to the rest of the season and hopefully future seasons. There is so much story to tell and so many characters to flesh out, so the people behind the show have a lot of work ahead of them. Here's hoping they can create a show that can reel in viewers and last more than one season. If you're interested, tune in Mondays at 10/9c starting on September 17.
Overall I was very impressed by the pilot. I had high hopes that it would be good but was unsure whether it would deliver. By now you probably know what the show is about, but I'll give a brief summary anyway. Fifteen years after a mysterious blackout, humans must survive without cars, batteries, and anything electronic. Firearms have been outlawed, which explains the sword fighting and crossbows seen in the promos, and militias have risen under the mysterious General Monroe.
The show is centered on Charlie Matheson (Tracy Spiridakos), daughter of Ben Matheson (Tim Guinee) who seems to know something about the blackout. Charlie's brother Danny (Graham Rogers) is taken by militia leader Tom Neville (Giancarlo Esposito) after Ben is killed. With his dying breath, Ben tells Charlie to go to Chicago to find his brother Miles (Billy Burke), who will know how to find Danny. Charlie takes on this mission, accompanied by Ben's girlfriend Maggie (Anna Lise Phillips) and his friend Aaron (Zak Orth).
Almost all of the actors gave great performances. Both Esposito, coming off of an outstanding season of Breaking Bad, and Burke were great in their respective scenes. I look forward to seeing more of them, and hopefully they will share some scenes soon because I would love to see them face off. I was especially surprised by Spiridakos's performance. I was not expecting her to convince me as the young heroine, but she did. Hopefully she can keep it up in the episodes to come. The last performance I want to mention is that of Orth, who provides the comic relief in the show. He had some good one-liners in this episode, so I hope the writers can use him well.
I have to give credit to Jon Favreau (director of the first two Iron Man movies), who directed this episode. He did a fantastic job, but I worry that he may have set the bar too high for future directors. We'll see how they do, but I hope that Favreau comes back at some point, provided that the show continues.
Which leads to my final point: the future of the show. As most hardcore TV fans know, NBC has been struggling with getting dramas off the ground, especially high-concept ones like this. The Event was a massive failure, and Awake, though a great show in my opinion, failed to find an audience. I believe that what this show needs is great character development, something that The Event lacked. The pilot did a decent job at giving us insight into what is driving the characters, but there is still room for improvement. If the writers can make us care about the characters, while simultaneously provide us with an engrossing mystery, I believe the show will succeed.
Revolution is off to a very fine start. I look forward to the rest of the season and hopefully future seasons. There is so much story to tell and so many characters to flesh out, so the people behind the show have a lot of work ahead of them. Here's hoping they can create a show that can reel in viewers and last more than one season. If you're interested, tune in Mondays at 10/9c starting on September 17.
Sunday, August 19, 2012
'Luther' Review: How Crime Dramas Should Be Done
At a recent family gathering I was talking to my uncle about TV. He recommended BBC's Luther, saying, "It's almost as good as Sherlock." Naturally, I had to check it out on Netflix, and I'm extremely glad that I did.
Luther stars Idris Elba, whom you may know as Charles Miner on The Office, as DCI John Luther, who must confront his personal issues along with his murder cases. Sounds like every other crime drama on TV, right? That's why I was skeptical at first, as I am not usually a fan of police procedurals. However, Luther takes the genre and brings it to a new level with some very interesting cases, to the point that the show resembles a thriller film. That, along with Elba's great acting as the temperamental detective, make this show worth watching.
The show also features one of the most intriguing television characters I've seen since Lost's Ben Linus: Alice Morgan, played to perfection by Ruth Wilson. In the pilot episode, Alice is suspected of murdering her parents. She becomes a regular character in the series, as she and Luther develop an...odd relationship. I wish I could say more about Alice Morgan, but I don't want to spoil the most intriguing aspect of the show.
All in all, Luther is a must for fans of crime dramas, thrillers, or British TV. All ten episodes are on Netflix, and a third season of four episodes has been commissioned and will likely air in 2013. Check it out, then come back and tell me what you think.
Luther stars Idris Elba, whom you may know as Charles Miner on The Office, as DCI John Luther, who must confront his personal issues along with his murder cases. Sounds like every other crime drama on TV, right? That's why I was skeptical at first, as I am not usually a fan of police procedurals. However, Luther takes the genre and brings it to a new level with some very interesting cases, to the point that the show resembles a thriller film. That, along with Elba's great acting as the temperamental detective, make this show worth watching.
The show also features one of the most intriguing television characters I've seen since Lost's Ben Linus: Alice Morgan, played to perfection by Ruth Wilson. In the pilot episode, Alice is suspected of murdering her parents. She becomes a regular character in the series, as she and Luther develop an...odd relationship. I wish I could say more about Alice Morgan, but I don't want to spoil the most intriguing aspect of the show.
All in all, Luther is a must for fans of crime dramas, thrillers, or British TV. All ten episodes are on Netflix, and a third season of four episodes has been commissioned and will likely air in 2013. Check it out, then come back and tell me what you think.
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